MediaMatrix® Announces EN54-16 Certification for nCIE PILOT® Control PC and NION® Series DSPs

MediaMatrix EN 54-16 Certification

MediaMatrix® Announces EN54-16 Certification for nCIE PILOT® Control PC and NION® Series DSPs

MediaMatrix EN 54-16 CertificationMediaMatrix® is pleased to announce that its NION® Series of digital signal and control processors (DSPs) and nCIE PILOT® control PC are now certified by the EN54-16 European Standard. These components form the nucleus of a dynamic VACIE system (Voice Alarm Control and Indicating Equipment) used to provide optimum protection for the public and for safety personnel.

The EN54 certification is a mandatory standard that specifies, requires, and laboratory tests every component of fire detection and fire alarm systems. Part 16 of the certification specifically pertains to voice alarm control and indicating equipment. The certifications of both the nCIE PILOT control PC and NION Series DSPs, respectively, speak to the industrial-grade quality of MediaMatrix equipment, as well as their stable, efficient, and robust performance.

The just-launched MediaMatrix nCIE PILOT processor, the brain of the VACIE system, manages all control and fault-monitoring logic. It also provides all control functionality to the end user through hosting the award-winning Kiosk2Go (tablet device HTML5) GUIs (graphical user interfaces) to multiple clients, which means the VACIE solution is essentially a headless system.

Additionally, the well-distinguished MediaMatrix NION Series nX, n3, and n6 DSP frames handle audio input sources, DSP processing, routing, networked and analog audio distribution, and voice alarm message playback, among other operational tasks. The VACIE system can be configured and scaled as a centralized single-rack solution, configured across multiple remote racks as a distributed solution, or positioned as a hybrid of both. The VACIE system can also scale to hundreds or even thousands of channels utilizing the flexible MediaMatrix NION architecture.

The nCIE PILOT and NION frames are accompanied by a choice of Powersoft, d&b audiotechnik, or Crown networked multi-channel power amplification to meet system requirements. Belgian company Luminex has also deployed its robust and highly intuitive GigaCore 26i Ethernet switch, which manages all IP communications between devices and is also used for handling all Dante-networked audio traffic.

Overall, MediaMatrix’s unique mix-and-match EN54-16 VACIE system delivers a truly flexible, fully customizable, high-powered pro-audio solution for life-safety applications that specifiers, consultants, integrators, and decision-makers have not previously seen or enjoyed before.

MediaMatrix® Launches nCIE PILOT® Industrial-Grade PC for Life-Safety VACIE

nCIE Pilot

MediaMatrix® Launches nCIE PILOT® Industrial-Grade PC for Life-Safety VACIE

nCIE PilotReliable control and monitoring is everything  in mission-critical life-safety systems, and the new nCIE PILOT® from MediaMatrix®,  is an industrial-grade PC that’s built for the challenge. Tested and certified to the EN54-16 European Standard, the nCIE PILOT is designed to work in conjunction with the NION® Series of digital signal processors (DSPs), also EN54-16 certified, and a host of third-party devices under the MediaMatrixNWare software suite. Together, these vital components form a life-safety VACIE (Voice Alarm Control and Indicating Equipment) system that’s designed to endure the rigors of industrial environments.

As the brains of the system, the nCIE PILOT performs all logical operations for fault detection and reporting VACIE wide. Powerful Python scripting is utilized to survey and manage all 3rd party devices within the VACIE and will alert the systems operator on the event of any system non-conformance. In addition,the PILOT hosts the graphical user interfaces for the operators through the award winning Kiosk2Go® HTML5 based MediaMatrix application. As a headless system Kiosk2Go provides intuitive and versatile remote control capability with fully customizable graphics authored in NWare.

The nCIE PILOT strikes the perfect balance between energy efficiency, performance, versatility and durability making it a machine built to last.  Enclosed in a ruggedized, fanless and ventless chassis  the PILOT resists dust, metal shavings, and other debris that are standard hazards on manufacturing floors thanks to its HardshellFanless Technology . The fully solid-state  architectureeliminates points of failure and relies on the superior design of the integrated heatsink to keep internal components cool.

Despite its small footprint, the nCIE PILOT is equipped with an array of IOs (inputs/outputs), including VGA and HDMI, and is capable of powering dual-independent displays, including one at 4K resolution. Dual-gigabit Ethernet LAN, three optional COM ports, and six USB ports, including four USB 3.0 ports, round out the available built-in connectivity. The nCIE PILOT is accompanied by an optional 2U rackmount adaptor allowing two PILOTs to be buddied together that can be configured independently or as  an N+N redundant auto fail-over configuration.

Users are provided additional reassurance with the EN54-16 certification that both the MediaMatrix nCIE PILOT and NION Series DSPs have been awarded. The EN54 certification is a mandatory standard that specifies, requires, and laboratory tests every component of fire detection and fire alarm systems. Part 16 of the certification specifically pertains to voice alarm control and indicating equipment. This certification speaks to the industrial-grade quality of MediaMatrix’s equipment, as well as its stable, efficient, and robust performance.

MediaMatrix® is the perfect match at Amsterdam ArenA

MediaMatrix® is the perfect match at Amsterdam ArenA

From the outset, it was clear that the Amsterdam ArenA was going to set new standards for stadium AV. A wholly new speaker system was to be implemented, with four manufacturers invited to tender for the project. Production manager at Amsterdam ArenA, Tim Oosterop, and head of technology, Martin Wielaart, defined three main objectives for the new system:

  • Compliance with UEFA/ FIFA regulations for performance and intelligibility, and adherence to safety standards for evacuation systems.
  • Address the venue’s unique acoustics, difficulties that, in realistic financial terms, would be challenging to overcome.
  • Enhance the stadium’s reputation as a host of other entertainment events – especially concerts.

With no compromise on quality, Oosterop selected German speaker manufacturer, d&b audiotechnik, to partner with the latest MediaMatrix control suite.

MediaMatrix and Crest Audio serve as the ‘backbone’ of the PA-VA system, which is responsible for processing, distributing & controlling all analogue and networked audio channels across the site while Crest Audio CKi amplifiers feed the sound to various zones across the venue – including back of house offices, hospitality boxes and other public zones. The crux of the challenge was to introduce new, high performance audio and control into the stadium ‘bowl’ area; for this, custom software was required for total harmony between the processing stage (via MediaMatrix) and the latest d&b amplifier and speaker systems.


Working closely with d&b’s engineers, Lee Freer – application engineer for Peavey Commercial Audio – helped to design a downloadable plug-in that brings total uniformity between the systems

Available now as a download, the new d&b amplifier plug-in for MediaMatrix provides control parameters
to adjust the mute status, levels, power On/Off , and alter the AmpPreset. This enables the complete system to be configured as a highly intelligible system for speech reproduction, and, via a simple button, to be reconfigured for full program material. Critical status information can be monitored, ensuring the same is suitable as a PA- VA system in an emergency situation. MediaMatrix logs all audio connections to amplifiers, and the operating state of connected loudspeakers.

Lee explains: “MediaMatrix is a networked DSP and control system that is scalable, efficient and tailored to the needs of the user. The system is designed and managed via PC with the MediaMatrix NWare software, and then accessed and controlled wireless from any smart device supporting HTML5 via the Kiosk2Go remote control platform.”

“The system is equipped with wired Kiosk control panels at the two command and control points in the stadium (East and West), which are used for phased stadium evacuation announcements and overall system health monitoring.”

Lee continues: “Adding d&b to the MediaMatrix plug-in library gives our customers another great option when specifying and designing our Nion-based solutions. The amplifier plug-in gives both the programmer and the end user a seamless, reliable and intuitive control interface which can also be easily integrated into an overall MediaMatrix Kiosk and Kiosk2Go GUI control suite.”


Stadium AV investment is a growing trend as systems are upgraded to meet new safety standards, as well as providing better quality and more efficient management. On this front, the Amsterdam ArenA now rates as one of the best installations in Europe.

Olaf Landzaat of Ampco Flashlight took on the technical integration of the system and says MediaMatrix is a key element in the installation, ensuring premium quality at every stage. He explains: “The new d&b amplifier control plug-in for MediaMatrix literally monitors every single device in the audio chain: every amplifier, and each individual speaker cabinet’s low and high drivers.”

The interface between d&b Array-processing software and the arena’s existing MediaMatrix management system provided a simple and easily executed route to accommodating a variety of event formats, without compromising safety standards. “With what we have now, we can provide acoustic models and predictive scenarios to those planning to bring their shows here. We have an audio infrastructure that allows them to plan for best sound,” Ooserop says. “With the modelling software and associated data, we give them the time and space to plan accordingly.” “The key for installation was interoperability, and total integration between the control system and the sound reinforcement system, whatever the application type,” explains Wolfgang Schulz, product manager for installation at d&b. “The system design for many permanent installations now starts with the method for control and management, so d&b is looking to support system designers with complete interoperability with the MediaMatrix system, which guarantees easy planning and operation.”

The last word goes to James Kennedy, operations manager at Peavey Commercial Audio EMEA. “It’s been a pleasure to work with d&b audiotechnik on this project and the high standards expected from both sides can be seen and heard at Amsterdam ArenA. The power and quality of the sound is simply staggering.” He adds: “However, we all know that power is wasted without control and here we have a system that benefits from Peavey’s proven management and processing with the fantastic quality of stadium speaker arrays for which d&b are renowned.”

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SEA Games, Malaysia

SEA Games, Malaysia

2017 turned out to be a big year in Malaysia – celebrations of the country’s 60th year of independence coincided with the return to Kuala Lumpur of the biggest multi-sports event in SouthEast Asia, the SEA Games, as well as the ASEAN Para Games. First inaugurated in 1959 as the SEAP (South East Asian Peninsular) Games with just twelve sports, the biennial event celebrated its 29th edition this year with over 400 events in 38 different sports.


The last time that Malaysia hosted the SEA Games was in 2001 when the country emerged as overall champions with 111 gold medals. At the time, Malaysia was justly proud of its super-modern sports infrastructure that had been built especially for the Commonwealth Games in 1998. However, standards and expectations no longer being what they were 20 years ago, the nation embarked on a full rejuvenation and renovation process in order to bring the KL Sports City complex at Bukit Jalil up to world class modern standards.

The brief called for the transformation from design to completion within 18 months to provide both four “new” world class venues to stage major events and recreational facilities for the Malaysian community. The redevelopment of Bukit Jalil National Stadium, Putra Stadium (now Axiata Arena), the National Aquatic Centre and the National Hockey Stadium focused on providing functional excellence coupled with the expression of Malaysia culture.


However, no sporting venue can be considered world class unless it has an audio system of the same calibre; hence renowned Malaysian systems integration company, A.F.S. Engineering, was appointed to design, specify and install all the sound reinforcement systems across all four venues. A.F.S. selected the MediaMatrix NION networked audio DSP platform from Peavey as the backbone of each system, providing routing throughout and loudspeaker DSP management where required depending on the loudspeaker systems used, as well as system control via the MediaMatrix NWare Kiosk software interface.

Peavey’s application engineer EMEA, Lee Freer, was on site for two weeks to support A.F.S. in programming and commissioning all the systems prior to the opening ceremony and remained on hand throughout the games. Lee explains here in more detail why NION was selected for the job and how it all works:

“NION was chosen largely thanks to its powerful routing capabilities and the convenience of the Kiosk control interface, which was used throughout. NION provided a huge amount of flexibility coping with the vast number of outputs, especially in the Bukit Jalil Stadium and Axiata Arena. Each venue was split into four zones, or quadrants, with a NION n6 unit in the Master Control Room and one or two NIONs per quadrant to provide reliable Dante signal breakout. NION enabled us to deliver a stable, redundant networked solution with lots of flexibility, plenty of headroom and fast, elegant control via the NWare Kiosk interface.”

“In the Aquatic Centre and the National Hockey Stadium where the PA system was comprised of RCF loudspeakers and Inter-M amplifiers, the NIONs also provided DSP processing for all system inputs and speaker processing for all outputs,” continued Freer. “The processed audio was then routed over a redundant Dante AoIP network to quadrant-based NIONs and then re-routed out via Dante to numerous Inter-M Dante amplifiers to interleaved loudspeaker circuits for maximum reliability.”

NWare Kiosk control was used across all the venues, allowing operators to adjust or mute specific areas that interfered with OB proceedings. A case in point was at the Aquatics centre: once an event had finished, the OB cameras would focus on the competitor interview at the poolside. It was noted that the sound reinforcement system was giving too much ambient bleed to the broadcasters, so A.F.S. set up a procedure that enabled the system operators to mute specific clusters between events via the Kiosk interface so that the OB feeds were clean. “Quick, simple and efficient – everyone was happy!”

“The SEA Games provides us with another great example of the flexibility of the NION networked DSP platform when it comes to managing complex events in large venues,” said Freer. “In opting for NION as the backbone, the integrator knows that he has lots of choices, and he can pick and choose the options that best suit his application. That’s exactly what A.F.S. did in this instance – not every system was the same by any means – and it all worked seamlessly and to great effect. It made my job really easy!”


A mix of NION units were deployed across the four venues depending on the type of functionality and the number of I/Os required.

The Bukit Jalil National Stadium featured the flagship NION n6 8-in/8-out Dante device in the Master Control Room with an 8-in/24-out NION n3 in each quadrant handling audio routing for the 52 hangs of L’Acoustics Kara and Kiva arrays. An 8-out NION nX in Q1 and Q3 were deployed to run the 64 under-balcony feeds.

The Axiata Stadium benefitted from an 8-in/16-out NION n6 in the Master Control Room and an 8-in/21-out NION nXs in Q2, Q3 and Q4 handling routing for the L’Acoustics Kara and Kiva II arrays.

The Aquatics Centre was a single NION system with an 8-in/16-out NION nX running four stacks of six and two stacks of four RCF P5228 spectator arrays and RCF P6215 and RCF 3115T poolside systems for the competition and training pools.

The National Hockey Stadium had an 8-in/8-out NION n3 in the master control room with a second n3 in Q3 and an 8-in/8-out NION nX in Q1 and Q4 running a total of 96 RCF P56228 loudspeakers distributed across 24 hangs around the stadium. The ancillary hockey pitch utilised a scaled-down version of the same system as array hangs were not a major requirement for this more open space. A Yamaha TF5 digital mixing console presided in each venue to handle the mix from the microphones before distributing out to the various zones of the PA system via NION.

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Peavey® Elements™ C Series weatherproof loudspeakers receive IP56 certification

Peavey® Elements™ C Series weatherproof loudspeakers receive IP56 certification

Peavey Commercial Audio® is delighted to announce that their industry-leading Peavey ElementsTM C Series weatherproof loudspeakers have been upgraded from IP45 to IP56 rating. The American-made Elements weatherproof enclosures are a combination of innovative cabinet construction and proven, weatherized components designed for direct contact with the elements in the most demanding climates.

The Elements C series of composite enclosures are constructed from an advanced composite fiberboard material that is dimensionally stable in wet conditions and resists contamination, yet has the resonant properties of wood. This light and durable material ensures unmatched sonic performance while providing reliable service year after year. The aluminum grills of the Elements C series enclosures feature a barrier membrane that repels water yet allows moisture to escape without affecting the sonic performance of the loudspeaker.

The upgrade from IP45 (Ingress Protection) rating to IP56 is significant as it denotes even more protection against the elements than previously. The first digit refers to protection against contact and ingress of small particles and foreign bodies. IP45 guarantees protection against contact with live or moving parts inside the enclosure by tools, wires or other objects with a thickness greater than 1mm. An IP56 rating signifies complete protection against contact with live or moving parts including protection against harmful deposits of dust.

The second digit refers to protection against water. An IP45 rating guarantees that water projected by a nozzle against the enclosure from any direction shall not have a harmful effect, whereas IP56 takes things a step further to include protection against water from heavy seas or projected from jets.

According to Peavey Commercial Audio’s operations manager, James Kennedy, this is a significant upgrade. “The Peavey Elements series has enjoyed great success since its launch in 2013, with many prestigious installations in theme parks, military training grounds and other outdoor environments around the world. The upgrade to an IP56 rating continues to assure the relevance of this highly versatile range in the most challenging and difficult environments.”

The Elements C series is available in three two-way, full range configurations and as a flyable subwoofer. The Elements 115C and Elements 112C feature 15” and 12” weatherproof Black Widow® woofers and an RX™22 2” titanium diaphragm compression driver tweeter coupled to a Quadratic-Throat Waveguide® rotatable horn. The Elements 115C and Elements 112C can be ordered with either a 60 X 40 or a 105 X 60 horn. The Elements 108C combines a 75 X 75 horn with an 8” weatherproof woofer in a compact and durable enclosure. The Elements 212 subwoofer is a flyable subwoofer enclosure featuring a pair of 12” weatherproof woofers.

Peavey Commercial Audio® Scores with Prosound’s Design of World Cup Soccer Stadiums

Peavey Commercial Audio® Scores with Prosound’s Design of World Cup Soccer Stadiums

When the call of “goal!” reaches the tens of thousands of ears in the stadiums hosting the 2010 FIFA World Cup, the audio will have been distributed and amplified by Peavey Commercial Audio® products.

Prosound, sub-Saharan Africa’s leading pro-audio and lighting design and installation firm, was tapped to outfit and update nine of the ten soccer stadiums in South Africa for the 2010 World Cup. Prosound technical director Mark Malherbe selected MediaMatrix® and Crest Audio® for the audio distribution, control and amplification system needs in the stadiums.

The nine stadiums newly outfitted with Peavey products include the jewel in the crown of South African football: the newly renovated Soccer City Stadium in Johannesburg, which will host the opening ceremony and final championship game of the 2010 World Cup.

Prosound has created systems for over 30 stadiums in Africa, including the 1995 Rugby World Cup and the 2003 Cricket World Cup.

2010 marks the first time in the event’s 80-year history that the FIFA World Cup has been held in Africa. Running from June 11 to July 11, the tournament takes place in 10 venues, five new and five renovated stadiums. When Prosound was selected for the audio and lighting design in nine of the venues, Mark Malherbe knew he wanted to go with MediaMatrix and Crest Audio for a common audio backbone in all the stadiums.

“We’ve been using MediaMatrix since almost day one, and it means we can adapt quickly — we can fit in with any change and don’t have to quickly learn a new product,” said Malherbe in an interview with InAVate magazine.

Prosound provided the details of each installation in the June cover story of ProAudio Middle East magazine.

Soccer City Stadium
With a capacity of 94,700, Soccer City is the largest of South Africa’s stadiums. Originally built in 1987 with a capacity of 80,000, the venue underwent a complete renovation for the 2010 FIFA World Cup.

The stadium’s outer perimeter has been designed to resemble a giant African pot, known as the calabash, and its aesthetic appeal is heightened when the stadium is lit at night. The orange seating is punctuated by grey stripes which point to the other nine stadiums being used for the competition.

This stadium has played an iconic role in South Africa’s history, hosting Nelson Mandela’s homecoming rally in 1990. On that day 100,000 people swarmed the stadium to hear him call for a unified South Africa. It’s fitting then that in its new guise, the stadium will host both the opening ceremony and final of the 2010 World Cup.

In the redesign, speakers are driven by 147 Crest CKi series amplifiers located in 10 racks around the venue. Each one powers a corresponding pair of speaker clusters. The amplifiers are all located in the roof near the loudspeakers. Malherbe explained:

“I wasn’t allowed to put too much weight up in the roof, so we had to make some compromises. If I’d gone for longer speaker cable runs, and mounted the amplifiers more remotely, I’d have lost a huge amount of power in the cables, no matter what gauge I used. This would have just ended up in my having to put more speakers up — and more weight.

“Locating the amp racks just off the maintenance gantry meant that my runs were much shorter and the power losses were much, much smaller. I didn’t need extra amplification or speakers to compensate. The upshot of this is that the signal path is overwhelmingly digital. Runs of Cat6 and optical fiber connect the CKi’s with the parent MediaMatrix NION® n6 DSP controllers, and from there to the sources and mixer in the controller room.”

“We chose the Peavey/Crest combination for a couple of reasons,” said Malherbe. “First, there is an almost seamless integration between the amps and the DSP, secondly they complied with the life safety requirements of the spec in terms of redundancy, and finally my technical guys are more familiar with the MediaMatrix solution.

“We’ve got six NION n6 processors to control the system, which provides enough overhead capacity for redundancy.”

Loftus Versfeld
Located in the heart of Pretoria, the 50,000 seat Loftus Versfeld is one of South Africa’s oldest stadiums.

The system at the Loftus used two Peavey MediaMatrix NION n3 processors and 42 Crest Audio CKi amps.

“As in all the other stadiums, all amplification was CKi. There is a mixture of mainly 1600 and 800V’s to do all the voice evacuation,” said head systems engineer Grant Scott. “We have two NION n3’s for processing, we are just using one and the other is redundant for standby.” Prior to the NION’s being installed in 2007, it was a total analog solution. “It was very difficult; we had an amplifier room in the players’ tunnel, they were all Crest Audio CD®’s at that stage, and we had one more behind each screen. We had long speaker runs.” With the new system there is a full redundant fiber loop around the stadium, there are new amp rooms in both the west and east stands, and it is CobraNet® distribution throughout.

Green Point
Cape Town’s Green Point Stadium stands in the Green Point suburb a short distance from the Atlantic Ocean with Table Mountain as its backdrop. During the World Cup it will be a 68,000-seat stadium. The system includes two Peavey MediaMatrix NION n3 processors and 62 Crest Audio CKi amps. There are four amplifier locations within the stadium, one in each stand.

“It’s all Crest Audio CKi power amps with the nX cards in them. It’s all CobraNet distribution which is fibered to the breakouts and all processed by two NION’s in the main control room,” explained Malherbe.

Ellis Park
Located in the heart of Johannesburg, Ellis Park stadium was given a significant face-lift before the Confederations Cup finals and now seats 62,000 fans.

Prosound put in the original system in 1981, which stayed in place until the Rugby World Cup in 1995 with only maintenance performed but no changes in the fundamental design.

“Now we have done a complete upgrade, there are entirely new loudspeakers, all Crest Audio amps, and all MediaMatrix processors,” said Malherbe.

The system includes two Peavey MediaMatrix NION n3 processors and 48 Crest Audio CKi amplifiers.

Nelson Mandela Bay
The brand new 48,000-seat Nelson Mandela Bay stadium in Port Elizabeth is set on the shores of the North End Lake.

DSP for the venue comes from two Peavey MediaMatrix NION n3 processors and the power is via 34 Crest Audio CKi amps.

Peter Mokaba Stadium
Named after one of the renowned sons of the struggle and emancipation of South Africa against the apartheid regime, the Peter Mokaba Stadium is in Polokwane.

For this stadium, five Peavey MediaMatrix NION n6 processors were used and power came from 30 Crest Audio CKi amps and 16 Ci20x8 eight-channel amps.

Mbombela Stadium
Mbombela is siSwati (one of the 11 official languages in South Africa) and literally means ‘many people together in a small space.’ The 64,000-seat stadium in Nelspruit is the first football stadium built to international standards in the Mpumalanga Province.

In the Mbombela Stadium, two Peavey MediaMatrix NION n3’s were used for DSP and 26 Crest Audio CKi amps were used in the system.

Free State Stadium
The 48,000 capacity Free State Stadium in Bloemfontien takes its name from the province in which it is located. For the 2010 World Cup, a second tier was added to the main grandstand, which increased the seating by 10,000.

This system is powered by 46 Crest Audio CKi amps, and two Peavey MediaMatrix NION n3’s were used for processing.

Royal Bafokeng Stadium
Built in 1999, the Royal Bafokeng Stadium near Rustenburg required only a minor upgrade for the World Cup. The capacity of the stadium was increased to 42,000.

The audio system is powered by 29 Crest Audio CKi amps. A single Peavey MediaMatrix NION n3 was used for processing.

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BC Place, Vancouver, Canada

BC Place, Vancouver, Canada

BC Place stadium has been a part of Vancouver’s skyline for more than 25 years, hosting live events from the opening ceremonies of the 2010 Olympic games to sold-out Rolling Stones concerts. But as time and technology marched forward, this 60,000-seater remained virtually unchanged. When it came time to update the venerable BC Place, its directors invested in a completely modern renovation, including the largest retractable roof in the world and the most powerful installed P.A. system in North America.

This incredibly powerful sound system is based on a MediaMatrix® NION® distributed digital audio system that controls and monitors 150 power amplifiers. It’s also the first hybrid project that uses Audinate’s Dante protocol to make two different systems communicate with each other. MediaMatrix delivers the program audio via the Dante transport protocol to the power amplifiers and provides control and monitoring of individual amplifier outputs back to the system operator. The MediaMatrix nControl™ allows the system operators to listen to the audio from any amplifier in any zone in the facility, and passes control information to the various NIONs in the system through project linking, which allows the system to be broken apart into logical sections that can operate independently of one another.

The main audio system consists of two NION n3 processors, plus another pair for backup and six NION nX processors for output monitoring. When implemented intelligently and logically, this type of design can allow a system to be considerably more robust and allow planned downtime in parts of the system while not affecting the functionality of the overall system.

The Dante transport protocol, operating in compliance with TCP/IP and a standard UTP packet structure, allows the networked audio and control data to be concentrated on fiber links to simplify distribution to remote amp racks in the arena’s overhead catwalks.

  • (6) MediaMatrix NION n3 Dante DSP
  • (6) MediaMatrix NION nX DSP
  • (1) MediaMatrix nControl

Beijing 2008 Olympics Use Crest Audio Power Amplifiers

Beijing 2008 Olympics Use Crest Audio Power Amplifiers

BEIJING — As the world’s top athletes compete in Beijing this summer, amplifiers from Crest Audio are helping power the 2008 Olympic Games.

A selection of eighty Crest Audio Pro 200™ Series amplifiers are in use at Beijing National Stadium, where they powered the opening ceremonies and other events.

Elsewhere during the Olympics, Peavey MediaMatrix NION audio processing systems are providing sound engineers with computer-controlled audio distribution and processing at Beijing Olympic Basketball Gymnasium, where the men’s USA Team will be led by NBA stars Kobe Bryant and LeBron James, and the Beijing Olympic Green Tennis Court, which will host world-class competitors such as Venus and Serena Williams.

With more than 1.8 million square feet, the Beijing Olympic Basketball Gymnasium has three underground floors and four floors above ground, with a total capacity for 18,000 spectators. MediaMatrix CAB™ 4n CobraNet break-out boxes convert the uncompressed digital CobraNet audio to analog audio and distribute it, while XControl® 4×4 remote panels bring intuitive and flexible control of paging and overall system management.

Both the Beijing Olympic Green Tennis Center, which seats 10,000 spectators, and equestrian events held at the Hong Kong Jockey Club also feature Peavey MediaMatrix NION audio distribution systems. In the Beijing Shooting Range Hall, a fully integrated MediaMatrix Miniframe™ II 180c serves as the main audio processing and distribution system.

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