Crest Audio Mixers & Power Amps Rock U.K.’s Download Festival

Crest Audio® mixers and power amplifiers provided sound reinforcement for artists Bowling For Soup and The Last Republic on the Jägermeister® stage at U.K.’s Download Festival on June 10-12.

The system consists of two hangs of Peavey® Versarray™ 212 mid/high enclosures, with Versarray 218 subwoofers providing low frequency reinforcement beneath the stage. Crest Audio CV-20™ and HP-Eight™ consoles handle FOH and monitor duties, respectively, and all power is provided by Crest Audio Pro 9200™ and Pro 7200™ amplifiers.

Upcoming festivals featuring the Crest Audio and Peavey sound system include Sonisphere at Knebworth on July 8-10, where The Defiled will headline the Jägermeister stage; Splendour Festival in Nottingham on July 24, which will be headlined by Feeder; and Kent’s Hevy Festival, which takes place between August 5-8, where Funeral for a Friend will perform on the Jägermeister main stage.

Crest Audio Unveils CKd Networkable Power Amplifiers

Crest Audio® proudly announces the CKd™ Series of multi-channel, networkable, intelligent power amplifiers. The new CKd Series provides superior performance and control in fixed installations through an efficient “green” design that saves energy, weight and space.

Decades of proven performance, reliability and intelligence converge in the Crest Audio CKd Series, combining the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit which reduces weight while increasing output power, reliability and thermal efficiency.

The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 and CKd 1204 provide 1,250 watts per channel in eight and four channels, respectively, while the CKd 608 and CKd 604 provide 625 watts per channel in eight and four channels. Each amplifier channel will operate to rated power in direct 70-volt, 100-volt, 8-ohm or 4-ohm modes, configurable per channel.

CKd amplifiers are networkable through the new Crest Audio Nx Dante-8™ NexSys control module to the Crest Audio NexSys 5 and Peavey® MediaMatrix® NWare™ software programs for advanced control and audio routing. The Nx Dante-8 module fits into the rear bay of CKd Series power amps and supports all NexSys functions, DSP functions and Dante digital audio I/O via 1 Gigabit Ethernet connection.

A Control Voltage input is included on each channel to allow external gain control, while the Fault output on each channel allows the CKd power amps to be wired to other monitoring systems. In addition, users can conserve energy by disabling channels that are not in use.

The CKd Series includes Crest Audio's exclusive ACL™ (Active Clip Limiting), which automatically reduces gain at the onset of clipping to prevent amplifier and load damage, and IGM™ (Instantaneous Gain Modulation), which monitors load current to protect against overloading.

The CKd Series amplifiers and Nx Dante-8 module are backed by Crest Audio's strong five-year warranty, and will be available in Q4 2011 from authorized Crest Audio dealers.


Features

  • CKd 1208: eight channels of 1,250 watts (4 and 8 ohms)
  • CKd 1204: four channels of 1,250 watts (4 and 8 ohms)
  • CKd 608: eight channels of 625 watts (4 and 8 ohms)
  • CKd 604: four channels of 625 watts (4 and 8 ohms)
  • Highly efficient and reliable class D design
  • NexSys® Module Bay
  • Accepts NxCobraNet-8 and NxDante-8 modules for remote monitoring and control, DSP and digital audio transport
  • Mode configurable per channel
  • High Impedance: Direct 100V or Direct 70V – 1.4V sensitivity, 70Hz HPF
  • Low Impedance: 8 Ohms, 4 Ohms – x40 gain
  • Full rated power in each mode
  • Tour Class® Protection Circuits
  • ACL, IGM, Short circuit, DC protect, Auto-Ramp, Current in-rush on/off, comprehensive thermal management
  • Cool Operation – Uses a unique heat sink and high output variable speed fan with front panel mounted removable fan filter for easy maintenance
  • Front and rear display – Invaluable when trouble-shooting or setting up a system
  • Front mounted circuit breakers
  • Sequential Turn On /Off (STO) – Connections for remote power control
  • Control Voltage input per channel for external gain control
  • Fault Output relay per channel for connections to other monitoring systems
  • Detented gain potentiometer on each channel (accessible via rear panel)
  • Euro input connection and barrier strip output connections
  • All models are standard 2RU rack height and offer front to side cooling

Features and specifications are subject to change without notice.

About Crest Audio®
Crest Audio® is a global leader in designing and manufacturing power amplifiers, loudspeaker systems, signal processing equipment, its exclusive, computer-controlled NexSys® audio systems and a complete line of live performance mixing consoles for the pro audio, MI, touring and fixed installation markets. Crest Audio continues to be the first choice of tour and installation companies worldwide. To find out more, visit www.crestaudio.com.

Crest Audio Introduces Nx Dante-8 NexSys Control Module

Crest Audio® proudly announces the new Nx Dante-8™ NexSys® control module, which works in tandem with the new Crest Audio CKd™ Series of intelligent power amplifiers to support Crest NexSys 5 and Peavey® MediaMatrix® NWare™ audio software programs.

Providing advanced audio control and routing, the Nx Dante-8 module fits into the rear bay of CKd Series power amps and supports all NexSys functions, DSP functions and Dante digital audio I/O via 1 Gb Ethernet connection. Primary and secondary 1 Gb ports provide system redundancy for the most demanding applications, while eight Dante audio inputs and eight Dante audio outputs enable extensive audio routing capabilities.

A full suite of DSP options including delay, PEQ, compression/limiting, crossover and mixing adds to the functionality of the Nx Dante-8 module. Amplifier controls and monitoring options include Real Time Load Monitoring, ACL™ (Automatic Clip Limiting), IGM™ (Instantaneous Gain Modulation), input/output VU, Gain, Mute, Solo, DC, thermal protection, AC/DC monitoring, and Sequential Turn On/Off (remote power). Through the use of the NexSys 5 protocol, devices can be controlled and monitored from multiple application instances.

The new Crest Audio CKd Series offers four multi-channel power amplifiers to meet the needs of demanding audio installations. The CKd 1208 and CKd 1204 provide 1,250 watts per channel in eight and four channels, respectively, while the CKd 608 and CKd 604 provide 625 watts per channel in eight and four channels. Each amplifier channel will operate to rated power in direct 70-volt, 100-volt, 8-ohm or 4-ohm modes, configurable per channel. Both the Nx Dante-8 module and the CKd series amplifiers are backed by Crest Audio's strong five-year warranty.

The Crest Audio Nx Dante-8 module and CKd Series power amplifiers will be available in Q4 2011 from authorized Crest Audio dealers.

Features and specifications are subject to change without notice.


About Crest Audio®
Crest Audio® is a global leader in designing and manufacturing power amplifiers, loudspeaker systems, signal processing equipment, its exclusive, computer-controlled NexSys® audio systems and a complete line of live performance mixing consoles for the pro audio, MI, touring and fixed installation markets. Crest Audio continues to be the first choice of tour and installation companies worldwide. To find out more, visit www.crestaudio.com.

Crest Audio Adds Pro-LITE 3.0 to New Amplifier Series

Crest Audio® proudly announces the Pro-LITE™ 3.0 and Pro-LITE 3.0 DSP power amplifiers, featuring an incredibly lightweight, efficient design with high power and stable performance into 2-ohm loads.

Crest Audio Pro-LITE Series amps are built on an advanced, high-speed class D design with a switch-mode power supply that reduces weight while increasing reliability, thermal efficiency and output power. The Pro-LITE3.0 and Pro-LITE 3.0 DSP boast 870 watts per channel at 4 ohms stereo (up to 3,150 watts bridged @ 4 ohms), weigh 13.3 lbs., and deliver rock-solid performance in parallel, stereo and bridged modes. The robust power supply allows these amplifiers to deliver consistent, stable performance with low frequencies and at 2-ohm operation.

The Crest Audio Pro-LITE 3.0 DSP features an onboard digital signal processor that hosts a suite of delays (0-120ms per channel), adjustable crossovers, adjustable limiters, parametric EQ, HF driver EQ, four user preset storage locations, and stereo/mono operation with lockable security settings. The front-panel LCD screen allows users to quickly identify and assign presets, while the USB port allows users to load presets and enables external setup and adjustment.

The Pro-LITE DSP section also integrates Waves® MaxxBass® Bass Extension technology, which uses psycho-acoustics to create precise harmonics that give the perceived effect of boosting low frequencies in the mix. The level of MaxxBass effect can be adjusted from 0% to 100%.

Crest Audio Pro-LITE Series amplifiers feature two channels with channel-independent, fourth order 100 Hz crossovers housed in a steel chassis. The proprietary ACL™ Automatic Clip Limiting circuitry prevents the amplifier from sending potentially damaging clipped signals to the loudspeakers. Additional onboard protection circuitry includes DC, Temp, Signal and Active safeguards, all referenced on the front panel with LED indicators.

The previously announced Crest Audio Pro-LITE 2.0 and Pro LITE 2.0 DSP power amplifiers boast the same features at a weight of 11.6 lbs. with power ratings of 985W per channel at 2 ohms; 540W per channel at 4 ohms; 280W per channel at 8 ohms; and 1,970W bridged at 4 ohms.

The Crest Audio Pro-LITE 3.0 and Pro-LITE 3.0 DSP will be available in Q4 2011 from authorized Crest Audio dealers.


Pro-LITE 3.0

  • 13.3 lbs.
  • 1,575W per channel at 2 ohms @ <0.1%
  • 870W per channel at 4 ohms @ <0.1%
  • 450W per channel at 8 ohms @ <0.1%
  • 3,150W bridged at 4 ohms @ 1%
  • 1,770W bridged at 8 ohms @ 1%
  • Parallel/Bridge/Stereo mode switch
  • ACL Automatic Clip Limiting
  • Revolutionary Pro-LITE class D topology
  • Detented input controls
  • Combi Neutrik® XLR-¼” inputs
  • Speakon® output connectors
  • XLR thru connector
  • Two channel-independent fourth order crossovers
  • U.S. MSRP $599.00


Pro-LITE 3.0 DSP

  • 13.3 lbs.
  • 1,575W per channel at 2 ohms @ <0.1%
  • 870W per channel at 4 ohms @ <0.1%
  • 450W per channel at 8 ohms @ <0.1%
  • 3,150W bridged at 4 ohms @ 1%
  • 1,770W bridged at 8 ohms @ 1%
  • Parallel/Bridge/Stereo mode switch
  • Revolutionary Pro-LITE class D topology
  • ACL Automatic Clip Limiting
  • Lockable level controls
  • High-pass filter
  • Combi Neutrik® XLR-¼” inputs
  • XLR thru connector (switchable between DSP processed or dry signal)
  • Speakon® output connectors
  • Two channel-independent, adjustable fourth order crossovers
  • Waves® MaxxBass® Bass Harmonic Enhancer
  • U.S. MSRP $799.00


Features and specifications are subject to change without notice.

About Crest Audio®
Crest Audio® is a global leader in designing and manufacturing power amplifiers, loudspeaker systems, signal processing equipment, its exclusive, computer-controlled NexSys® audio systems and a complete line of live performance mixing consoles for the pro audio, MI, touring and fixed installation markets. Crest Audio continues to be the first choice of tour and installation companies worldwide. To find out more, visit www.crestaudio.com.

Peavey Commercial Audio® Scores with Prosound’s Design of World Cup Soccer Stadiums

Peavey Commercial Audio® Scores with Prosound’s Design of World Cup Soccer Stadiums

When the call of “goal!” reaches the tens of thousands of ears in the stadiums hosting the 2010 FIFA World Cup, the audio will have been distributed and amplified by Peavey Commercial Audio® products.

Prosound, sub-Saharan Africa’s leading pro-audio and lighting design and installation firm, was tapped to outfit and update nine of the ten soccer stadiums in South Africa for the 2010 World Cup. Prosound technical director Mark Malherbe selected MediaMatrix® and Crest Audio® for the audio distribution, control and amplification system needs in the stadiums.

The nine stadiums newly outfitted with Peavey products include the jewel in the crown of South African football: the newly renovated Soccer City Stadium in Johannesburg, which will host the opening ceremony and final championship game of the 2010 World Cup.

Prosound has created systems for over 30 stadiums in Africa, including the 1995 Rugby World Cup and the 2003 Cricket World Cup.

2010 marks the first time in the event’s 80-year history that the FIFA World Cup has been held in Africa. Running from June 11 to July 11, the tournament takes place in 10 venues, five new and five renovated stadiums. When Prosound was selected for the audio and lighting design in nine of the venues, Mark Malherbe knew he wanted to go with MediaMatrix and Crest Audio for a common audio backbone in all the stadiums.

“We’ve been using MediaMatrix since almost day one, and it means we can adapt quickly — we can fit in with any change and don’t have to quickly learn a new product,” said Malherbe in an interview with InAVate magazine.

Prosound provided the details of each installation in the June cover story of ProAudio Middle East magazine.

Soccer City Stadium
With a capacity of 94,700, Soccer City is the largest of South Africa’s stadiums. Originally built in 1987 with a capacity of 80,000, the venue underwent a complete renovation for the 2010 FIFA World Cup.

The stadium’s outer perimeter has been designed to resemble a giant African pot, known as the calabash, and its aesthetic appeal is heightened when the stadium is lit at night. The orange seating is punctuated by grey stripes which point to the other nine stadiums being used for the competition.

This stadium has played an iconic role in South Africa’s history, hosting Nelson Mandela’s homecoming rally in 1990. On that day 100,000 people swarmed the stadium to hear him call for a unified South Africa. It’s fitting then that in its new guise, the stadium will host both the opening ceremony and final of the 2010 World Cup.

In the redesign, speakers are driven by 147 Crest CKi series amplifiers located in 10 racks around the venue. Each one powers a corresponding pair of speaker clusters. The amplifiers are all located in the roof near the loudspeakers. Malherbe explained:

“I wasn’t allowed to put too much weight up in the roof, so we had to make some compromises. If I’d gone for longer speaker cable runs, and mounted the amplifiers more remotely, I’d have lost a huge amount of power in the cables, no matter what gauge I used. This would have just ended up in my having to put more speakers up — and more weight.

“Locating the amp racks just off the maintenance gantry meant that my runs were much shorter and the power losses were much, much smaller. I didn’t need extra amplification or speakers to compensate. The upshot of this is that the signal path is overwhelmingly digital. Runs of Cat6 and optical fiber connect the CKi’s with the parent MediaMatrix NION® n6 DSP controllers, and from there to the sources and mixer in the controller room.”

“We chose the Peavey/Crest combination for a couple of reasons,” said Malherbe. “First, there is an almost seamless integration between the amps and the DSP, secondly they complied with the life safety requirements of the spec in terms of redundancy, and finally my technical guys are more familiar with the MediaMatrix solution.

“We’ve got six NION n6 processors to control the system, which provides enough overhead capacity for redundancy.”

Loftus Versfeld
Located in the heart of Pretoria, the 50,000 seat Loftus Versfeld is one of South Africa’s oldest stadiums.

The system at the Loftus used two Peavey MediaMatrix NION n3 processors and 42 Crest Audio CKi amps.

“As in all the other stadiums, all amplification was CKi. There is a mixture of mainly 1600 and 800V’s to do all the voice evacuation,” said head systems engineer Grant Scott. “We have two NION n3’s for processing, we are just using one and the other is redundant for standby.” Prior to the NION’s being installed in 2007, it was a total analog solution. “It was very difficult; we had an amplifier room in the players’ tunnel, they were all Crest Audio CD®’s at that stage, and we had one more behind each screen. We had long speaker runs.” With the new system there is a full redundant fiber loop around the stadium, there are new amp rooms in both the west and east stands, and it is CobraNet® distribution throughout.

Green Point
Cape Town’s Green Point Stadium stands in the Green Point suburb a short distance from the Atlantic Ocean with Table Mountain as its backdrop. During the World Cup it will be a 68,000-seat stadium. The system includes two Peavey MediaMatrix NION n3 processors and 62 Crest Audio CKi amps. There are four amplifier locations within the stadium, one in each stand.

“It’s all Crest Audio CKi power amps with the nX cards in them. It’s all CobraNet distribution which is fibered to the breakouts and all processed by two NION’s in the main control room,” explained Malherbe.

Ellis Park
Located in the heart of Johannesburg, Ellis Park stadium was given a significant face-lift before the Confederations Cup finals and now seats 62,000 fans.

Prosound put in the original system in 1981, which stayed in place until the Rugby World Cup in 1995 with only maintenance performed but no changes in the fundamental design.

“Now we have done a complete upgrade, there are entirely new loudspeakers, all Crest Audio amps, and all MediaMatrix processors,” said Malherbe.

The system includes two Peavey MediaMatrix NION n3 processors and 48 Crest Audio CKi amplifiers.

Nelson Mandela Bay
The brand new 48,000-seat Nelson Mandela Bay stadium in Port Elizabeth is set on the shores of the North End Lake.

DSP for the venue comes from two Peavey MediaMatrix NION n3 processors and the power is via 34 Crest Audio CKi amps.

Peter Mokaba Stadium
Named after one of the renowned sons of the struggle and emancipation of South Africa against the apartheid regime, the Peter Mokaba Stadium is in Polokwane.

For this stadium, five Peavey MediaMatrix NION n6 processors were used and power came from 30 Crest Audio CKi amps and 16 Ci20x8 eight-channel amps.

Mbombela Stadium
Mbombela is siSwati (one of the 11 official languages in South Africa) and literally means ‘many people together in a small space.’ The 64,000-seat stadium in Nelspruit is the first football stadium built to international standards in the Mpumalanga Province.

In the Mbombela Stadium, two Peavey MediaMatrix NION n3’s were used for DSP and 26 Crest Audio CKi amps were used in the system.

Free State Stadium
The 48,000 capacity Free State Stadium in Bloemfontien takes its name from the province in which it is located. For the 2010 World Cup, a second tier was added to the main grandstand, which increased the seating by 10,000.

This system is powered by 46 Crest Audio CKi amps, and two Peavey MediaMatrix NION n3’s were used for processing.

Royal Bafokeng Stadium
Built in 1999, the Royal Bafokeng Stadium near Rustenburg required only a minor upgrade for the World Cup. The capacity of the stadium was increased to 42,000.

The audio system is powered by 29 Crest Audio CKi amps. A single Peavey MediaMatrix NION n3 was used for processing.

Download Case Study

Wanna Play Stage at NAMM 2010 Showcases Crest Audio CV-20 Consoles

The Wanna Play? Stage at the 2010 NAMM Show in Anaheim, Calif., showcased Crest Audio® CV-20™ mixing consoles and Pro 200™ power amplifiers, providing four days of professional sound reinforcement for bands such as Jive Records artists The Dares and the finalists of the SchoolJam USA national battle of the bands competition.

Located outside the Anaheim Convention Center at the John Lennon Plaza, the Wanna Play? Stage drew crowds from the international NAMM convention’s audience of 87,000 attending music retailers, media and musicians. The stage is named after NAMM’s Wanna Play? public awareness campaign, which aims to encourage more people to play musical instruments.

Kent Morris, owner and operator of Atlanta-based Cornerstone Media Group, configured the system with six Peavey® Versarray™ 112 line-array enclosures per side, backed by four Versarray 218 subwoofers per side to handle the low frequencies. Crest Audio Pro 200 Series amplifiers provided power to the entire house system, with one Pro 9200 in bridged mode assigned to each subwoofer, and Pro 7200 amps for the mid and high frequencies of the Versarray 112 line-array enclosures.

Morris employed a 48-channel Crest Audio CV-20 mixing console with 48 mono inputs and eight stereo inputs at FOH for the festival-style gig. With full VCA control and dynamics on all outputs, the CV-20 combines the best characteristics of analog and digital consoles, allowing the FOH operator the benefit of storing mix settings and the convenience of making adjustments on the fly, anywhere in the mix.

“The CV-20 gives you the best of both worlds,” Morris said. “It operates like a digital board, without the limitations of only being able to see one channel at a time. In this live festival environment, you need the ability to move very quickly from channel to channel and have instant access of any parameter. Since the CV-20 is analog, you can see everything at once.

“The CV-20’s VCA functionality also proved invaluable. There are 128 assignable scenes in the VCA, so we could store all of the possible scenarios for later recall. With only five minutes of soundcheck for each band—not to mention some unscripted moments throughout the weekend—that ability helped us make seamless transitions, and keep the client and audience happy.”

A veteran of major concert tours such as Ozzfest, Rockstar® Mayhem, and Tim McGraw, the Peavey Versarray is a professional line array utilizing 4.75″ ribbon drivers and 12″ Black Widow® speakers with dual 4″ voice coils in a push-pull arrangement. The Versarray 218 subwoofers are designed with dual 18″ Lo Max® woofers and Peavey’s patented UniVent™ venting system, an exclusive design that pumps air through the enclosure as the woofers move, maintaining cool operating temperatures, increasing reliability and reducing power compression under heavy continuous-drive conditions.

“The Versarray system performed amazingly well all weekend, no matter what we threw at it—live music performances, spoken word and program music,” said Morris. “The Versarray gets loud but stays clear because of the ribbon drivers and dual voice coil speakers. These weren’t new speakers, either; this particular system has been on the road with us for years now.”

For monitors, Morris used a Crest Audio CV-20 console with 40 mono inputs and eight stereo inputs, with audio fed to Crest Audio Pro 5200 and Pro 8200 amplifiers to power a dozen Peavey QW® Series ML and MR wedge-style stage monitors.

The crew used Peavey VSX® 26 loudspeaker management systems for front of house and three VSX 48 units for monitor speaker processing; fourteen Peavey QF™131 31-band graphic equalizers for house and monitors; six Peavey CEL-2A™ compressors; and two Peavey Dual DeltaFex® for house processing.

Peavey microphones were used for the entire event, including the PVM™ DMS-5 drum microphone kit, which packages three PVM 328 tom mikes, one PVM 325 snare mike, one PVM 321 kick drum mike, and cables and clips in a road case. The Peavey PVM 22 and PVM 46 dynamic-style microphones with diamond-coated diaphragms were used for vocals, and the PVM 45ir and PVM 480 condenser-style models were used on overhead cymbals and hi-hat. An array of Peavey PDI™ direct interface boxes were employed for acoustic guitar and keyboard.

“NAMM was very pleased with the sound quality that this system provided for the performers at the Wanna Play? Stage,” said Kevin Johnstone, director of trade shows at NAMM. “We are very grateful for our relationships with NAMM members such as Peavey and for the quality of musical experiences we can provide on this stage for NAMM Show attendees and the general public.”

About NAMM
NAMM is the not-for-profit association that unifies, leads and strengthens the $17 billion international musical instruments and products industry. NAMM’s activities and programs are designed to promote music making to people of all ages. NAMM is comprised of approximately 9,000 Member companies. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org or call 800-767-NAMM (6266).

 

Crest Audio CC 5500 Wins Award in Live Sound Readers’ Choice Poll

The readers of Live Sound International magazine and the pro-audio community at ProSoundWeb.com have honored the Crest Audio CC™ 5500 power amplifier in the first annual ProSoundWeb/Live Sound International Readers’ Choice Product Awards.

The Crest Audio CC 5500 power amplifier won the Readers’ Choice Best Product Award in the New Power Amplifier Without DSP category. Based on powerful, proven Crest Audio Pro 200™ Series technology and utilizing a linear power supply, the CC 5500 delivers 5,500 watts of clean power for main systems, monitors and subwoofers.

Built on the solid foundation of legendary Crest Audio amplifier designs, CC Series power amps provide tremendous value in pro amplifier technology. CC Series amps deliver world-class power with exceptional sound quality and value for touring companies, installations, mobile DJs, nightclubs, churches and more. Utilizing advanced production techniques and Crest Audio-designed toroidal transformers for consistent, robust output, the CC Series exemplifies the Crest tradition for solid, reliable and innovative power amp designs.

All CC Series amplifiers are built with tunnel-cooled heat sinks, variable-speed DC fans and extensive protection circuitry for superior efficiency into difficult loads and power conditions. In the Crest Audio tradition, the CC 5500 also boasts more power devices (16 per channel) than any competitive amplifier, plus a switched-rail class H output stage and triple-compound design to provide low distortion and excellent thermal stability.

Crest Audio Ships New CC™ 5500 Power Amplifier

Crest Audio is boosting the power of its successful CC™ Series amplifiers with the new flagship CC 5500. Based on powerful, proven Crest Audio Pro 200™ Series technology and utilizing a linear power supply, the CC 5500 delivers 5,500 watts of clean power for main systems, monitors and subwoofers.

Built on the solid foundation of legendary Crest Audio amplifier designs, CC Series power amps provide tremendous value in pro amplifier technology. CC Series amps deliver world-class power with exceptional sound quality and value for mobile DJs, working bands, club owners, churches and more. Utilizing advanced production techniques and Crest Audio-designed toroidal transformers for consistent, robust output, the CC Series exemplifies the Crest tradition for solid, reliable and innovative power amp designs.

All CC Series amplifiers are built with tunnel-cooled heat sinks, variable-speed DC fans and extensive protection circuitry for superior efficiency into difficult loads and power conditions. In the Crest Audio tradition, the CC 5500 also boasts more power devices (16 per channel) than any competitive amplifier, plus a switched-rail class H output stage and triple-compound design to provide low distortion and excellent thermal stability.

The CC 5500 is available now from authorized Crest Audio dealers.

  • 5,500 watts into 4 ohms in Bridged Mono mode
  • 2,750 watts per channel into 2 ohms
  • 1,800 watts per channel into 4 ohms
  • 1,150 watts per channel into 8 ohms
  • Temperature control via two back-to-front, variable-speed DC fans
  • Combination XLR and 1/4″ TRS inputs
  • Binding posts and Speakon® outputs
  • ACL, signal, active and temp LED indicators
  • 2RU
  • 47 lbs.

Crest Audio Provides Amplification for Musikmesse Agora Stage

Crest Audio® provided professional amplification for the popular Agora Stage at Musikmesse 2012 in Frankfurt, Germany, March 21-24.

The Agora Stage is Musikmesse’s premier performance area, with live entertainment productions throughout the show from artists such as the Alex Skolnick Trio. A team of Crest Audio Pro 9200™ and Pro 7200™ amplifiers powered the ribbon driver-loaded Peavey Versarray 212 line array and Versarray 218 subwoofers, with loudspeaker management from the Peavey MediaMatrix® NION® n6. Two Crest Audio CV-20™ consoles with 56 channels controlled audio from the front-of-house position.

Crest Audio Pro 200™ amplifiers powered the Peavey QW® ML and MR monitor wedges and QW 1QW 2 and Versarray 218 side fills and drum fills—all controlled by a Peavey Architectural Acoustics® Digitool® MX processor and mixed through two 48-channel Crest Audio CV-20 mixing consoles.

Keiluhollin Bowling Complex, Reykjavik, Iceland

Keiluhollin Bowling Complex, Reykjavik, Iceland

Keiluhollin is a state-of-the-art bowling complex which was recently opened in the heart of Reykjavik, Iceland’s capital. As well as its sizeable ten-pin bowling alley area, the 4,600 square metre facility also accommodates a restaurant, coffee shop and sports bar, each of which receives networked audio via the venue’s centralised 20-zone AV system, at the heart of which is Peavey Commercial Audio’s MediaMatrix.

Keiluhollin becomes the second major bowling complex to be opened in Reykjavik, but it’s by far the best, insists Jakob Kristinsson, whose company, ETOS, has kitted out both venues. For Keiluhollin, ETOS delegated a massive 800 hours of manpower for the design, spec, and installation, and deployed a total of 300 loudspeakers.

“In 2006 I installed a non-Peavey system into the other [bowling] venue, but now, seven years on, all three of the audio processors have broken down, so I knew I had to come up with a much more flexible solution this time round,” he explains. “It quickly became clear that the only system that would tick all the boxes was Peavey’s MediaMatrix: it’s extremely powerful; it’s reliable; and it was the only way we could guarantee perfect audio to the entire building.”

To cover the venue’s 20 ‘stereo plus subwoofer’ zones, two NION n6s were deployed along with CAB 16i and CAB 16o CobraNet breakout boxes to generate 96 analogue I/O (44 inputs and 52 outputs). 20 Crest Audio CC amplifiers were used to generate the required 64kW of power.

“With NION, you have almost endless possibilities in terms of I/O expansion: you just add on a unit, which is what we did with the CABs; also, the processing power is simply fantastic; I don’t know another system that could have dealt so easily with 20 stereo zones and subwoofers,” he continues. “I’m also really impressed with the Crest Audio CC  Amps. They’re running really well, they don’t get hot, and they also look nice, which is quite unusual for an amp!”

In addition to the overall Crestron system, Kristinsson was required to supply a backup control system which included several of Peavey’s flexible nTouch 180 and nTouch 60 touch screen controllers.

“I’m glad to say, the MediaMatrix nTouch series is easy to configure and very intuitive,” he says, “and personally it was a great opportunity for me to get acquainted with the product.”

The Crestron controller, the NIONs, and the Crest amps all talk over Ethernet on the same network. Aliases were created within the NIONs for each of the 20 zones (as well as every function), and were then handed over to the Crestron programmer who incorporated them into his programming modules.

“It’s very easy to raise the volumes or change the source anywhere within the building; all the things that you need to be able to do, you can do, thanks to this MediaMatrix system,” Kristinsson adds. “We also made Kiosk controls for the NION in two areas of the project, which work very well.”

The project was completed over a two-month period (June-Aug 2012) and everything went smoothly, Kristinsson says, though he admits he was a little nervous as to how things would turn out at the beginning, given the fact that it was his first NION project.

“You never quite know how it will go when you adopt a new product—it always feels like a bit of a gamble; but after putting faces to names when visiting the Peavey guys for a MediaMatrix Training Seminar, we were totally reassured,” he says. “The challenge was always going to be sorting out the configuration of the system, but the Peavey team helped us program the NIONs and the support in general that they provided throughout the project was second to none.”

And from an end user perspective, Keiluhollin’s manager, Agnar Fjeldsted, says he couldn’t be happier:

“The MediaMatrix system is a dream to work with; everything is so straightforward to use, and the quality of audio we have is just fantastic,” he enthuses. “We couldn’t ask for any more, really. It’s all easily accessible from our tech room, which makes workflow so simple; and I’m extremely happy overall with what we’ve managed to achieve.”

  • (2) MediaMatrix NION n6
  • (1) MediaMatrix CAB16i
  • (1) MediaMatrix CAB16o
  • (2) MediaMatrix nTouch 60
  • (1) MediaMatrix nTouch 180
  • (1) MediaMatrix GPIO-25
  • (5) Crest Audio CC1800
  • (6) Crest Audio CC2800
  • (9) Crest Audio CC4000
Select the fields to be shown. Others will be hidden. Drag and drop to rearrange the order.
  • Image
  • SKU
  • Rating
  • Price
  • Stock
  • Availability
  • Add to cart
  • Description
  • Content
  • Weight
  • Dimensions
  • Additional information
  • Attributes
  • Custom attributes
  • Custom fields
Click outside to hide the compare bar
Compare
Compare ×
Let's Compare! Continue shopping